“It’s just a matter of form”: Edna St. Vincent Millay’s experiments with masculinity
Edna St. Vincent occupies an uncomfortable position in relation to modernism. In the majority of criticism, her work is considered the antithesis to modernist experimentation: as representative of the ‘rearguard’ that rejected vers libre in favour of fixed poetic forms. Indeed, most critics concur t...
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| Format: | Default Article |
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2019
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| Online Access: | https://hdl.handle.net/2134/10311023.v1 |
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