'Reader, Perhaps You Were Never in Belgium?': Negotiating British Identity in Charlotte Brontë's The Professor and Villette

Critical investigations of the foreign settings of Charlotte Brontë's The Professor (1857) and Villette (1853) have tended to conceive Belgium (fictionalized as Labassecour in Villette) as simply "not England." In contrast, this essay considers the historic and geographic specificity...

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Bibliographic Details
Published in:	Nineteenth-century literature 2009-09, Vol.64 (2), p.163-188
Main Author:	Longmuir, Anne
Format:	Article
Language:	eng
Subjects:	1800-1899 Authors Belgian Setting Belgium British identity British National Identity Bronte, Charlotte (1816-1855) Brontë, Charlotte Cultural values English Literature Fiction French culture French language Language history Literary criticism Negotiation Nineteenth Century novel Reading Space The Professor Villette
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Summary:	Critical investigations of the foreign settings of Charlotte Brontë's The Professor (1857) and Villette (1853) have tended to conceive Belgium (fictionalized as Labassecour in Villette) as simply "not England." In contrast, this essay considers the historic and geographic specificity of The Professor and Villette, arguing that Belgium represents a crucial middle-ground between British and French values in the mid nineteenth century. Not only was Belgium the location of the decisive British victory over the French at Waterloo, but British commentators also increasingly depicted Belgium as a "little Britain on the continent," or potentially Anglicized space, in the 1840s. Drawing on both Brontë's explicit references to the Napoleonic Wars in The Professor and Villette and contemporary Victorian conceptions of Belgium, this essay argues that Brontë's use of this particular foreign space is not just a result of her experiences in Brussels in the early 1840s. Instead, the overlooked middle—ground of Belgium epitomizes the conflict between British and French values in Brontë's fiction—and the possibility of their reconciliation. While Brontë ultimately rejects the idea that Belgium represents the site of a possible Anglo-Continental union, it is nonetheless a space in which Brontë's characters reformulate or consolidate their ideas of home, revealing Britishness to be both culturally produced and value-laden in Brontë's fiction.
ISSN:	1067-8352 0891-9356 1067-8352