Growing Roots in Rocky Soil: An Environmental History of Southern Rock
Despite Walden's reservations, the term caught on and has been used since the 1970s to describe a diverse array of rock 'n' roll groups from the South that blend country and blues musical forms with a jam-band performance style.1 Recently, historians have joined the debate, deconstruc...
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Published in: | Southern cultures 2010-09, Vol.16 (3), p.102-128 |
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Main Author: | |
Format: | Article |
Language: | eng |
Subjects: | |
Online Access: | Get full text |
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Summary: | Despite Walden's reservations, the term caught on and has been used since the 1970s to describe a diverse array of rock 'n' roll groups from the South that blend country and blues musical forms with a jam-band performance style.1 Recently, historians have joined the debate, deconstructing southern rock to uncover its basic elements-what music journalist Mark Kemp calls "an otherworldly musical stew" of country, blues, jazz, and gospel-and explain its implications for southern (if not American) culture. According to Ownby, southern rockers' rejected "the security and morality" of the nineteenth-century southern homestead, even as they praised aspects of the patriarchal culture that pervaded it.3 Barbara Ching expanded Ownby's thesis in her comparative study of the Eagles and Lynyrd Skynyrd, positing that southern rockers engaged in a "struggle over the role and meaning of white southern manhood." |
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ISSN: | 1068-8218 1534-1488 1534-1488 |