Extensive and Intensive Iconography. Goethe's Faust Outlined

Drawing on a corpus of printed items between countries, compared first-hand, the article examines the mark left by Moritz Retzsch's 26 outline etchings after Goethe's Faust (1816) using the distinction between extensive and intensive iconography. In extensive iconography, copied or imitate...

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Bibliographic Details
Published in:Artl@s bulletin 2021-01, Vol.10 (1), p.47
Main Author: Stead, Evanghelia
Format: Article
Language:English
Subjects:
19th century
Etching
Goethe, Johann Wolfgang von (1749-1832)
Iconography
Prints and printmaking
Retzsch, Moritz
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Summary:Drawing on a corpus of printed items between countries, compared first-hand, the article examines the mark left by Moritz Retzsch's 26 outline etchings after Goethe's Faust (1816) using the distinction between extensive and intensive iconography. In extensive iconography, copied or imitated images build a collective imagination, devaluing the original work, albeit contributing to the play's aura. That view challenges Walter Benjamin's influential essay on "The Work of Art in the Age of Mechanical Reproduction" (1935). In intensive iconography, inventive artists, inspired by Retzsch, rework images, granting a particular scene genuine reinterpretation. How then should we value multiples, copies and genuine re-workings in modern print culture?
ISSN:2264-2668