"DIALOGUE WITH A MAESTRO":1 AN INTERVIEW WITH ERIC TING ADAPTER AND DIRECTOR OF A PRODUCTION OF THE THE OLD MAN AND THE SEA

In the night scenes on the Straits of Florida, tiny fiberoptic stars appeared across the stage, and during the powerfully choreographed memory of the tavern in Casablanca, the lights cast a massive shadow of the opponent onto the backdrop. Which is, in its way, how The Old Man and the Sea becomes a...

Full description

Saved in:
Bibliographic Details
Published in:The Hemingway review 2009-10, Vol.29 (1), p.152
Main Author: King, Richard J
Format: Article
Language:eng
Subjects:
Online Access:Get full text
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:In the night scenes on the Straits of Florida, tiny fiberoptic stars appeared across the stage, and during the powerfully choreographed memory of the tavern in Casablanca, the lights cast a massive shadow of the opponent onto the backdrop. Which is, in its way, how The Old Man and the Sea becomes a metaphor of life. Because we go so far, and, at the end, what do we have to show for it?
ISSN:0276-3362
1548-4815