Loading…
Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University
Orlando Gibbons' 'Orlando was his name,' now in the library of Case Western Reserve University in Cleveland, is probably the only extant composition obviously written for Charles as Prince of Wales. The round was composed in honor of Charles' return from his unsuccessful courtshi...
Saved in:
Published in: | Notes (Music Library Association) 1993-03, Vol.49 (3), p.911-924 |
---|---|
Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that cite this one |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
cited_by | cdi_FETCH-LOGICAL-c298t-61aed49f3ec1e9a5c696a05e3a73113a9ef217a34b6ea82b1a094df189b82bc63 |
---|---|
cites | |
container_end_page | 924 |
container_issue | 3 |
container_start_page | 911 |
container_title | Notes (Music Library Association) |
container_volume | 49 |
creator | Duffin, Ross W. |
description | Orlando Gibbons' 'Orlando was his name,' now in the library of Case Western Reserve University in Cleveland, is probably the only extant composition obviously written for Charles as Prince of Wales. The round was composed in honor of Charles' return from his unsuccessful courtship of the Spanish Infanta in 1623. Apart from its historical value, the piece suggests an intimate relationship between Charles and the singers in royal service and widens one's idea of acceptable musical entertainment for 17th-century royalty. |
doi_str_mv | 10.2307/898924 |
format | article |
fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_196679433</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A13990936</galeid><jstor_id>898924</jstor_id><sourcerecordid>A13990936</sourcerecordid><originalsourceid>FETCH-LOGICAL-c298t-61aed49f3ec1e9a5c696a05e3a73113a9ef217a34b6ea82b1a094df189b82bc63</originalsourceid><addsrcrecordid>eNp1kdtKAzEQhoMoWE_PEBS86mpms6dclsUTKC2i6F2Yxtm6ZbvRJFX79qZU8KpzE2b4ZvL_M4ydgLhIpSgvK1WpNNthA8hllkAuXnfZQIi0TDJZiX124P1cxFAZDNj3xLW9oW7FJ-hDuyA_5NZx5LVduhDLNQbzPuRTavsZD-_Eb1sfrFtx2_BRb2PF8Yelbw12_NrhbEF94Bhinyf-Qj6Q6_kjeXJfxJ_79oucb8PqiO012Hk6_nsP2fP11VN9m9yPb-7q0X1iUlWFpACkt0w1kgyQwtwUqkCRk8RSAkhU1KRQosymBWGVTgGjrbcGKjWNmSnkITvdzP1w9nMZ5eh5NNbHLzWooihVJmWEzrZCaaRUKQuIFN9KAaR5tUaGG2SGHem4WNsH-gnGdh3NSEdn9ViPQCollFyLO9_gxlnvHTX6w7ULdCsNQq9vqTe3_Bc4X-9-G_UL1ZOZvw</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1112581</pqid></control><display><type>article</type><title>Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University</title><source>JSTOR Archival Journals and Primary Sources Collection</source><source>Humanities Index</source><creator>Duffin, Ross W.</creator><creatorcontrib>Duffin, Ross W.</creatorcontrib><description>Orlando Gibbons' 'Orlando was his name,' now in the library of Case Western Reserve University in Cleveland, is probably the only extant composition obviously written for Charles as Prince of Wales. The round was composed in honor of Charles' return from his unsuccessful courtship of the Spanish Infanta in 1623. Apart from its historical value, the piece suggests an intimate relationship between Charles and the singers in royal service and widens one's idea of acceptable musical entertainment for 17th-century royalty.</description><identifier>ISSN: 0027-4380</identifier><identifier>EISSN: 1534-150X</identifier><identifier>DOI: 10.2307/898924</identifier><language>eng</language><publisher>Ann Arbor, Mich., etc: Music Library Association</publisher><subject>Calendars ; Charles I, King of England (1600-1649) ; Composers ; Criticism and interpretation ; Gibbons, Orlando ; Glees, catches, rounds, etc ; History ; Masques ; Music ; Musical notation ; Musical Works ; Palaces ; Princes ; Proxy reporting ; Proxy statements ; Renaissance period ; Rounds ; Royalty ; Singing</subject><ispartof>Notes (Music Library Association), 1993-03, Vol.49 (3), p.911-924</ispartof><rights>Copyright 1993 The Music Library Association, Inc.</rights><rights>Copyright Music Library Association Mar 1993</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c298t-61aed49f3ec1e9a5c696a05e3a73113a9ef217a34b6ea82b1a094df189b82bc63</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/898924$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/898924$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>315,786,790,27957,27958,33884,58593,58826</link.rule.ids></links><search><creatorcontrib>Duffin, Ross W.</creatorcontrib><title>Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University</title><title>Notes (Music Library Association)</title><addtitle>Notes</addtitle><description>Orlando Gibbons' 'Orlando was his name,' now in the library of Case Western Reserve University in Cleveland, is probably the only extant composition obviously written for Charles as Prince of Wales. The round was composed in honor of Charles' return from his unsuccessful courtship of the Spanish Infanta in 1623. Apart from its historical value, the piece suggests an intimate relationship between Charles and the singers in royal service and widens one's idea of acceptable musical entertainment for 17th-century royalty.</description><subject>Calendars</subject><subject>Charles I, King of England (1600-1649)</subject><subject>Composers</subject><subject>Criticism and interpretation</subject><subject>Gibbons, Orlando</subject><subject>Glees, catches, rounds, etc</subject><subject>History</subject><subject>Masques</subject><subject>Music</subject><subject>Musical notation</subject><subject>Musical Works</subject><subject>Palaces</subject><subject>Princes</subject><subject>Proxy reporting</subject><subject>Proxy statements</subject><subject>Renaissance period</subject><subject>Rounds</subject><subject>Royalty</subject><subject>Singing</subject><issn>0027-4380</issn><issn>1534-150X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1993</creationdate><recordtype>article</recordtype><sourceid>C18</sourceid><recordid>eNp1kdtKAzEQhoMoWE_PEBS86mpms6dclsUTKC2i6F2Yxtm6ZbvRJFX79qZU8KpzE2b4ZvL_M4ydgLhIpSgvK1WpNNthA8hllkAuXnfZQIi0TDJZiX124P1cxFAZDNj3xLW9oW7FJ-hDuyA_5NZx5LVduhDLNQbzPuRTavsZD-_Eb1sfrFtx2_BRb2PF8Yelbw12_NrhbEF94Bhinyf-Qj6Q6_kjeXJfxJ_79oucb8PqiO012Hk6_nsP2fP11VN9m9yPb-7q0X1iUlWFpACkt0w1kgyQwtwUqkCRk8RSAkhU1KRQosymBWGVTgGjrbcGKjWNmSnkITvdzP1w9nMZ5eh5NNbHLzWooihVJmWEzrZCaaRUKQuIFN9KAaR5tUaGG2SGHem4WNsH-gnGdh3NSEdn9ViPQCollFyLO9_gxlnvHTX6w7ULdCsNQq9vqTe3_Bc4X-9-G_UL1ZOZvw</recordid><startdate>19930301</startdate><enddate>19930301</enddate><creator>Duffin, Ross W.</creator><general>Music Library Association</general><general>Music Library Association, Inc</general><scope>AAYXX</scope><scope>CITATION</scope><scope>A3D</scope><scope>AVQMV</scope><scope>DJMCT</scope><scope>0R3</scope><scope>ABKTN</scope><scope>FIXVA</scope><scope>FUVTR</scope><scope>HYQOX</scope><scope>HZAIM</scope><scope>JRZRW</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQEST</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQQKQ</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PQUKI</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OB</scope><scope>~OC</scope><scope>~OG</scope><scope>4T-</scope><scope>4U-</scope><scope>C18</scope></search><sort><creationdate>19930301</creationdate><title>Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University</title><author>Duffin, Ross W.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c298t-61aed49f3ec1e9a5c696a05e3a73113a9ef217a34b6ea82b1a094df189b82bc63</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1993</creationdate><topic>Calendars</topic><topic>Charles I, King of England (1600-1649)</topic><topic>Composers</topic><topic>Criticism and interpretation</topic><topic>Gibbons, Orlando</topic><topic>Glees, catches, rounds, etc</topic><topic>History</topic><topic>Masques</topic><topic>Music</topic><topic>Musical notation</topic><topic>Musical Works</topic><topic>Palaces</topic><topic>Princes</topic><topic>Proxy reporting</topic><topic>Proxy statements</topic><topic>Renaissance period</topic><topic>Rounds</topic><topic>Royalty</topic><topic>Singing</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Duffin, Ross W.</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Music Periodicals Database</collection><collection>Arts Premium Collection</collection><collection>Music & Performing Arts Collection</collection><collection>Periodicals Archive Online Collection 1.2</collection><collection>Periodicals Archive Online JSTOR Titles</collection><collection>Periodicals Index Online Segment 03</collection><collection>Periodicals Index Online Segment 06</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 26</collection><collection>Periodicals Index Online Segment 35</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>ProQuest One Academic</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>ProQuest One Academic UKI Edition</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>PAO Collection 1</collection><collection>Periodicals Archive Online Collection 1</collection><collection>PAO Collection 1 (purchase pre Feb/2008)</collection><collection>Docstoc</collection><collection>University Readers</collection><collection>Humanities Index</collection><jtitle>Notes (Music Library Association)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Duffin, Ross W.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University</atitle><jtitle>Notes (Music Library Association)</jtitle><addtitle>Notes</addtitle><date>1993-03-01</date><risdate>1993</risdate><volume>49</volume><issue>3</issue><spage>911</spage><epage>924</epage><pages>911-924</pages><issn>0027-4380</issn><eissn>1534-150X</eissn><abstract>Orlando Gibbons' 'Orlando was his name,' now in the library of Case Western Reserve University in Cleveland, is probably the only extant composition obviously written for Charles as Prince of Wales. The round was composed in honor of Charles' return from his unsuccessful courtship of the Spanish Infanta in 1623. Apart from its historical value, the piece suggests an intimate relationship between Charles and the singers in royal service and widens one's idea of acceptable musical entertainment for 17th-century royalty.</abstract><cop>Ann Arbor, Mich., etc</cop><pub>Music Library Association</pub><doi>10.2307/898924</doi><tpages>14</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0027-4380 |
ispartof | Notes (Music Library Association), 1993-03, Vol.49 (3), p.911-924 |
issn | 0027-4380 1534-150X |
language | eng |
recordid | cdi_proquest_journals_196679433 |
source | JSTOR Archival Journals and Primary Sources Collection; Humanities Index |
subjects | Calendars Charles I, King of England (1600-1649) Composers Criticism and interpretation Gibbons, Orlando Glees, catches, rounds, etc History Masques Music Musical notation Musical Works Palaces Princes Proxy reporting Proxy statements Renaissance period Rounds Royalty Singing |
title | Princely Pastimes, or a Courtly Catch, being the History of Another Musical Fragment at Case Western Reserve University |
url | http://sfxeu10.hosted.exlibrisgroup.com/loughborough?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-09-22T19%3A17%3A09IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Princely%20Pastimes,%20or%20a%20Courtly%20Catch,%20being%20the%20History%20of%20Another%20Musical%20Fragment%20at%20Case%20Western%20Reserve%20University&rft.jtitle=Notes%20(Music%20Library%20Association)&rft.au=Duffin,%20Ross%20W.&rft.date=1993-03-01&rft.volume=49&rft.issue=3&rft.spage=911&rft.epage=924&rft.pages=911-924&rft.issn=0027-4380&rft.eissn=1534-150X&rft_id=info:doi/10.2307/898924&rft_dat=%3Cgale_proqu%3EA13990936%3C/gale_proqu%3E%3Cgrp_id%3Ecdi_FETCH-LOGICAL-c298t-61aed49f3ec1e9a5c696a05e3a73113a9ef217a34b6ea82b1a094df189b82bc63%3C/grp_id%3E%3Coa%3E%3C/oa%3E%3Curl%3E%3C/url%3E&rft_id=info:oai/&rft_pqid=1112581&rft_id=info:pmid/&rft_galeid=A13990936&rft_jstor_id=898924&rfr_iscdi=true |