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To see ourselves: The rhetorical construction of an ideal citizenry in the perorations of twentieth-century budget speeches
For classical writers the peroration represented a recapitulation of the arguments that had been deployed in a speech, but was also considered the part which sought to engage the emotions of the audience. In their use of pathos, perorations are therefore particularly revealing. This article consider...
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Published in: | British politics 2017-04, Vol.12 (1), p.90-114 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Citations: | Items that this one cites Items that cite this one |
Online Access: | Get full text |
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Summary: | For classical writers the peroration represented a recapitulation of the arguments that had been deployed in a speech, but was also considered the part which sought to engage the emotions of the audience. In their use of pathos, perorations are therefore particularly revealing. This article considers how they have been used by Chancellors, who have employed the collective concepts of ‘country’, ‘nation’ and ‘people’ to rouse, exhort, persuade, console, applaud, and inspire their audiences through the rhetorical construction of an ideal British citizenry. |
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ISSN: | 1746-918X 1746-9198 |
DOI: | 10.1057/s41293-016-0025-5 |