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The Dissolution of Utopia: Literary Representations of the City of Haifa, between Herzl’s Altneuland and Later Israeli Works
[...]the play recreates it for its audience as a consoling myth, as a lost paradise to long for - a paradise that maybe, only maybe, could have existed had the choice been made of a non-national, multicultural, cosmopolitan Haifa, where Jews, Arabs, British and others could have all lived together i...
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Published in: | Partial answers 2016-06, Vol.14 (2), p.323-341 |
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Main Author: | |
Format: | Article |
Language: | English |
Subjects: | |
Online Access: | Get full text |
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Summary: | [...]the play recreates it for its audience as a consoling myth, as a lost paradise to long for - a paradise that maybe, only maybe, could have existed had the choice been made of a non-national, multicultural, cosmopolitan Haifa, where Jews, Arabs, British and others could have all lived together in peace. [...]by contrast with the utopian Haifa imagined by Herzl in 1902, an ideal city, impeccably planned, a beautiful, just, cosmopolitan city that harmoniously blends with the nature, while its inhabitants are integrated into both space and the new society without any difficulties stemming from language or ethnic complications, the three Israeli works examined represent a fractured Haifa, embroiled in complex frictions between individual and society, as well as between language, ethnicity, and space. [...]could a non-national, cosmopolitan existence have given these questions better answers, maybe even utopian ones, than national existence? |
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ISSN: | 1565-3668 1936-9247 1936-9247 |
DOI: | 10.1353/pan.2016.0014 |