Overcoming the Stigma: The Queer Denial of Indiewood
Goode's and Hoult's names are removed from the final moments of the trailer; the gay kiss is removed; and there is a conspicuously unsubtle attempt at pushing both Firth and Moore for Academy Awards-we even get a quote from Playboy describing the film as "a movie of beauty, mystery, v...
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Published in: | Journal of film and video 2016-04, Vol.68 (1), p.19-30 |
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Main Author: | |
Format: | Article |
Language: | eng |
Subjects: | |
Online Access: | Get full text |
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Summary: | Goode's and Hoult's names are removed from the final moments of the trailer; the gay kiss is removed; and there is a conspicuously unsubtle attempt at pushing both Firth and Moore for Academy Awards-we even get a quote from Playboy describing the film as "a movie of beauty, mystery, visual dazzle, and emotional resistance." Reviews for Brokeback Mountain failed to highlight the challenge this narrative offered to rural homophobia: "Perhaps by framing the story of Ennis del Mar and Jack Twist as so universal, while paradoxically positioning queers into peculiar heteronormative space, and simultaneously framing homophobia as a past problem that has been basically solved in the 21st century, critics inadvertently marginalized Brokeback's potential to help society effect real change in the lives of gays and lesbians" (Cooper and Pease 265). |
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ISSN: | 0742-4671 1934-6018 1934-6018 |