Loading…
The American Imperial Gothic: Popular Culture, Empire, Violence
Ashgate, 2014) The debate about popular culture and its influence on violence in America has longcharacterised the country as a social and political landscape where class, race, and gender identities are highly divisive. The American Imperial Gothic then charts the development of the US as a global...
Saved in:
Published in: | The Irish Journal of Gothic and Horror Studies 2015 (14), p.100 |
---|---|
Main Author: | |
Format: | Review |
Language: | English |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | Ashgate, 2014) The debate about popular culture and its influence on violence in America has longcharacterised the country as a social and political landscape where class, race, and gender identities are highly divisive. The American Imperial Gothic then charts the development of the US as a global power from the eighteenth century and the pages of Charles Brockden Brown's novel Edgar Huntly (1799) to the Cold War and most recently, the invasions of Iraq and Afghanistan. [...]this chapter reminds us that complex cultural performances permit us to become detached from our actions, to live outside the consequences of our ideologies. |
---|---|
ISSN: | 2009-0374 |