Olive Schreiner, T. Fisher Unwin and the Rise of the Short Fiction Collection in Britain
Writing to her good friend Havelock Ellis in August 1890, Olive Schreiner expressed her perplexity at the distinct lack of interest shown by British publishers for her long-awaited second book-a collection of allegories which she called Dreams. Readers awaiting a new book from the pen of the acclaim...
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Published in: | English literature in transition, 1880-1920 1880-1920, 2012-06, Vol.55 (3), p.315-338 |
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Main Author: | |
Format: | Article |
Language: | eng |
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Online Access: | Get full text |
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Summary: | Writing to her good friend Havelock Ellis in August 1890, Olive Schreiner expressed her perplexity at the distinct lack of interest shown by British publishers for her long-awaited second book-a collection of allegories which she called Dreams. Readers awaiting a new book from the pen of the acclaimed author who had brought them the scandalous, best-selling novel The Story of an African Farm in 1883 had had to make do with the short allegorical stories Schreiner published in various periodicals at irregular intervals throughout the 1880's; and while they proved popular with readers, their irregular appearance did little to sate the demand for a new, full-length publication. Among other things Gill explores the difficulties this popular author experienced in securing a publisher for her second book and situates these struggles within the context of late-nineteenth-century print culture, arguing that the early publishing history of Dreams was shaped by both the aesthetic and material conditions of a changing literary marketplace. |
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ISSN: | 0013-8339 1559-2715 1559-2715 |