PLAYING TO THE GROUNDLINGS: SHAKESPEARE PERFORMANCE CRITICISM AND PERFORMANCE CRITICISM OF THE BIBLICAL TEXTS

It has become commonly accepted in the last twenty years or so that the texts of the New Testament were written to be read aloud to an audience.

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Bibliographic Details
Published in:Neotestamentica 2007-01, Vol.41 (2), p.317-340
Main Author: Holland, Glenn S.
Format: Article
Language:English
Subjects:
Audiences
Bible
British literature
Exegesis and biblical criticism
General subjects
History and sciences of religions
Literary criticism
New Testament
Performance art
Performance theory
Religious rituals
Textual criticism
Theater
Theater criticism
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Description
Summary:It has become commonly accepted in the last twenty years or so that the texts of the New Testament were written to be read aloud to an audience.
ISSN:0254-8356
0254-8356