Daniel Buren, the ample field of painting, the place where genders are dissolved. An intervention project in Puente de Rande
Beginning with a project to intervene in Puente de Rande in Vigo (Project pour la Galice, 2005) that would never come to fruition, its authors, who accompanied the artist for several days, researched and studied his approach while taking into account his methodical conception. In this methodology ar...
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| Published in: | Arte, individuo y sociedad individuo y sociedad, 2018-12, Vol.30 (3), p.599 |
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| Main Authors: | , , |
| Format: | Article |
| Language: | spa |
| Subjects: | |
| Online Access: | Get full text |
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| Summary: | Beginning with a project to intervene in Puente de Rande in Vigo (Project pour la Galice, 2005) that would never come to fruition, its authors, who accompanied the artist for several days, researched and studied his approach while taking into account his methodical conception. In this methodology are the keys to his work: from a consensual point of view and a projectual discussion to his reconsideration of the use of public spaces and/or museums, making use of his well-known visual resource--the bands of color--and the affirmation of a piece as a "transformation of a place of welcome," while also taking into account the architecture, design and drawing, light and color, the context as nature of the place, and a feeling of endurance that exalts the essential image of the ephemeral, transcribed, as usual, in its photo-souvenirs and in the possibility of expanded painting. |
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| ISSN: | 1131-5598 1988-2408 |