Royal Divine Coronation Iconography. Preliminary Considerations

In recent decades, art historians have stressed the benefits of analysing medieval images and their contents within their specific context and, in particular, have underlined the importance of their visual impact on contemporary beholders to determine their functions and specific meanings. In other...

Full description

Saved in:

Bibliographic Details
Published in:	Arts (Basel) 2019-12, Vol.8 (4), p.139
Main Author:	Vagnoni, Mirko
Format:	Article
Language:	eng
Subjects:	Christianity Exegesis & hermeneutics Historians Ideology medieval kingship Middle Ages Political power Politics power-religion relationship Religion royal divine coronation royal iconography royal sacrality Topic and comment Usability
Online Access:	Get full text
Tags:	Add Tag No Tags, Be the first to tag this record!

Description
Summary:	In recent decades, art historians have stressed the benefits of analysing medieval images and their contents within their specific context and, in particular, have underlined the importance of their visual impact on contemporary beholders to determine their functions and specific meanings. In other words, in the analysis of a medieval image, it has become fundamental to verify where it was collocated and whom it was aimed at, and which practical reasons it was made for (its visibility, fruition, and usability). As a result, new perspectives have been opened, creating an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Hence, there has been a complete rethinking of the function and meaning of this iconographic theme. For instance, the divine coronation of the king might not symbolically allude to his earthly power but to the devotional hope of receiving the crown of eternal life in the afterworld. Moreover, in the specific case of some Ottonian and Salian illuminations, historiographers have proposed that their function was not only celebrative (a manifesto of the political ideologies that legitimized power), but also liturgical and religious. This paper places this topic in a historiographical framework and provides some preliminary methodological considerations in order to stimulate new research.
ISSN:	2076-0752 2076-0752