Shakespeare and the Book of Henry

In this article, I argue that the four plays of the Henriad (Richard II, 1 and 2 Henry IV, and Henry V), as presented in the 1623 Folio, constitute a unified whole intended for reading. The plays are connected not only by the endings of one play leading directly into the beginning of the next, but t...

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Bibliographic Details
Published in:	Humanities (Basel) 2023-04, Vol.12 (2), p.32
Main Author:	Herman, Peter C
Format:	Article
Language:	eng
Subjects:	Bates, John Book publishing Drama Henriad Historiography Narrative theme politics Reading relationship to print Revisions Shakespeare Shakespeare plays Shakespeare studies Shakespeare, William (1564-1616) Shakespeare, William (English playwright) Smith, Emma Theater unity
Online Access:	Get full text
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Summary:	In this article, I argue that the four plays of the Henriad (Richard II, 1 and 2 Henry IV, and Henry V), as presented in the 1623 Folio, constitute a unified whole intended for reading. The plays are connected not only by the endings of one play leading directly into the beginning of the next, but they are also unified by thematic and verbal echoes. I will focus first on establishing the connections between the plays, and then on the thematic resonances. I show how the plays are connected by verbal echoes, some thematically relevant, some not. I then show how Shakespeare provides differing accounts of Richard’s fall and invites the reader the compare and contrast them with each other. Finally, I turn to Shakespeare’s treatment of the common soldier, which culminates in the confrontation between the disguised Henry V and Michael Williams, Alexander Court, and John Bates, a scene not present in the quarto version of this play. Although this scene can stand alone, one has to have read the previous chapters of the Henriad to comprehend the full force of Shakespeare’s revision.
ISSN:	2076-0787 2076-0787