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  1. 1
    Composing for the films / Theodor Adorno & Hanns Eisler.
    by Adorno, Theodor W., 1903-1969
    Published 1994
    Edition: [New ed].
    “...Athlone,...”
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  2. 2
    Silent film / edited and with an introduction by Richard Abel.
    Published 1996
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  3. 3
    Survey of London
    Published 1963
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  4. 4
    Survey of London
    Published 1973
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  5. 5
    Survey of London
    Published 1966
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  6. 6
    Survey of London
    Published 1966
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  7. 7
    Survey of London
    Published 1980
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  8. 8
    Survey of London
    Published 1960
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  9. 9
    Survey of London
    Published 1970
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  10. 10
    Survey of London
    Published 1963
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  11. 11
    Controlling Hollywood : censorship and regulation in the studio era / edited and with an introduction by Matthew Bernstein.
    Published 2000
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  12. 12
    Semiotics and the analysis of film / Jean Mitry.
    by Mitry, Jean, 1907-1988
    Published 2000
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  13. 13
    Alfred Hitchcock and the British cinema : with a new introduction / Tom Ryall.
    by Ryall, Tom
    Published 1996
    “...Athlone,...”
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  14. 14
    Cinema and painting : how art is used in film / Angela Dalle Vacche.
    by Dalle Vacche, Angela, 1954-
    Published 1996
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  15. 15
    Making theatre : from text to performance /.
    by Mudford, Peter
    Published 2000
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  16. 16
    Cinema 1 : the movement-image / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam.
    by Deleuze, Gilles, 1925-1995
    Published 1986
    “...Athlone,...”
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  17. 17
    Cinema 2 : the time-image / Gilles Deleuze ; translated by Hugh Tomlinson and Robert Galeta.
    by Deleuze, Gilles, 1925-1995
    Published 1989
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  18. 18
    Armand Gatti in the theatre : wild duck against the wind / Dorothy Knowles.
    by Knowles, Dorothy
    Published 1989
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  19. 19
    Movies and mass culture / edited and with an introduction by John Belton.
    Published 1996
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  20. 20
    An introduction to Greek sculpture / John Barron.
    by Barron, John, 1934-
    Published 1981
    Edition: Extended, rev. and up-dated version.
    “...Athlone,...”
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