Art and epistemic injustice: Ursula Biemann's remote sensing and black sea files

Having regard to two video works produced by Ursula Biemann, Remote Sensing (2001) and The Black Sea Files (2005), this article examines the portrayal of female displacement and migration in the context of Miranda Fricker’s recent discussion of ‘epistemic injustice’. Focusing on ways in which the vi...

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Bibliographic Details
Main Author: Kathryn Brown
Format: Default Article
Published: 2014
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Online Access:https://hdl.handle.net/2134/22239
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