Art and epistemic injustice: Ursula Biemann's remote sensing and black sea files
Having regard to two video works produced by Ursula Biemann, Remote Sensing (2001) and The Black Sea Files (2005), this article examines the portrayal of female displacement and migration in the context of Miranda Fricker’s recent discussion of ‘epistemic injustice’. Focusing on ways in which the vi...
Saved in:
Main Author: | |
---|---|
Format: | Default Article |
Published: |
2014
|
Subjects: | |
Online Access: | https://hdl.handle.net/2134/22239 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|