The Divine science : the aesthetic of some representative seventeenth-century English poets. the aesthetic of some representative seventeenth-century English poets.
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York :
Octagon Books,
1973 (c1940).
|
| Series: | Columbia University studies in English and comparative literature ;
no. 151 |
| Subjects: | |
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| 001 | 000195173 | ||
| 005 | 20201111153222.0 | ||
| 008 | 940223r19731940xxu a 0 eng | ||
| 020 | |a 0374942706 | ||
| 089 | |a 821.409 | ||
| 089 | |a 821.309 | ||
| 100 | 1 | |a Jonas, Leah | |
| 245 | 1 | 4 | |a The Divine science : |b the aesthetic of some representative seventeenth-century English poets. |
| 260 | |a New York : |b Octagon Books, |c 1973 (c1940). | ||
| 500 | |a Original ed. issued as no. 151 of Columbia University studies in English and comparative literature | ||
| 500 | |a Originally presented as the author's thesis, Columbia | ||
| 500 | |a Originally published by Columbia U.P. in 1940 | ||
| 505 | 8 | |a The theory of English poetry about 1600.--Ben Jonson.--Michael Drayton.--William Browne.--George Wither.--Giles Fletcher and Phineas Fletcher.--William Davenant.--Abraham Cowley.--John Milton.--John Donne.--George Herbert, Richard Crashaw, and Henry Vaughan.--Robert Herrick and Thomas Carew.--Andrew Marvell and John Denham.--Conclusion.--Bibliography (p. (273)-279) | |
| 650 | 0 | 0 | |a English poetry |y Early modern, 1500-1700 |x History and criticism |
| 830 | 0 | |a Columbia University studies in English and comparative literature ; |v no. 151 | |
| 952 | |0 0 |1 0 |4 0 |6 821_409000000000000_JON |7 0 |9 255928 |a PILKINGTON |b PILKINGTON |c MAIN |d 1994-02-23 |l 16 |o 821.409/JON |p 017893401 |r 2020-11-22 |s 2020-11-11 |w 2018-02-01 |y LONG | ||
| 999 | |c 165166 |d 165166 | ||
| 942 | 0 | 0 | |0 1 |