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  1. 81
    THREE HYPOTHETICAL PHASES OF NOTRE DAME ORGANUM PERFORMANCE PRACTICE

    THREE HYPOTHETICAL PHASES OF NOTRE DAME ORGANUM PERFORMANCE PRACTICE by GUHL-MILLER, SOLOMON

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  2. 82
    OVID AND THE THIRTEENTH-CENTURY MOTET: QUOTATION, REINTERPRETATION, AND VERNACULAR HERMENEUTICS

    OVID AND THE THIRTEENTH-CENTURY MOTET: QUOTATION, REINTERPRETATION, AND VERNACULAR HERMENEUTICS by SALTZSTEIN, JENNIFER

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  3. 83
    A NEGLECTED ANONYMOUS REQUIEM MASS OF THE EARLY SIXTEENTH CENTURY AND ITS POSSIBLE CONTEXT

    A NEGLECTED ANONYMOUS REQUIEM MASS OF THE EARLY SIXTEENTH CENTURY AND ITS POSSIBLE CONTEXT by D'ALVARENGA, JOÃO PEDRO

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  4. 84
    "GOD IS WITNESS": DICTATION AND THE COPYING OF CHANTS IN MEDIEVAL MONASTERIES

    "GOD IS WITNESS": DICTATION AND THE COPYING OF CHANTS IN MEDIEVAL MONASTERIES by NARDINI, LUISA

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  5. 85
    PAPYROLOGICAL EVIDENCE OF MUSICAL NOTATION FROM THE 6THTO THE 8THCENTURIES

    PAPYROLOGICAL EVIDENCE OF MUSICAL NOTATION FROM THE 6THTO THE 8THCENTURIES by GAMPEL, ALAN

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  6. 86
    CONTRIBUTORS

    CONTRIBUTORS

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  7. 87
    THE GOTHIC ARCHITECTURE OF JOHN OF GARLAND'S DE MENSURABILI MUSICA

    THE GOTHIC ARCHITECTURE OF JOHN OF GARLAND'S DE MENSURABILI MUSICA by DUHAMEL, PASCALE

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  8. 88
    TRANSMITTING A COMPOSITIONAL PROCESS: TWO THIRTEENTH-CENTURY MOTETS

    TRANSMITTING A COMPOSITIONAL PROCESS: TWO THIRTEENTH-CENTURY MOTETS by SAINT-CRICQ, GAËL

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  9. 89
    Papyrological Evidence of Musical Notation from the 6th to the 8th Centuries

    Papyrological Evidence of Musical Notation from the 6th to the 8th Centuries by Gampel, Alan

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  10. 90
    A aneglected Anonymous Requiem Mass of the Early Sixteenth Century and Its Possible Context

    A aneglected Anonymous Requiem Mass of the Early Sixteenth Century and Its Possible Context by D'Alvarenga, Joao Pedro

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  11. 91
    TEXTS IN PLAY: THE ARS NOVA AND ITS HYPERTEXTS

    TEXTS IN PLAY: THE ARS NOVA AND ITS HYPERTEXTS by DESMOND, KAREN

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  12. 92
    "God Is Witness": Dictation and the Copying of Chants in Midieval Monasteries

    "God Is Witness": Dictation and the Copying of Chants in Midieval Monasteries by Nardini, Luisa

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  13. 93
    EDITOR'S NOTE

    EDITOR'S NOTE

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  14. 94
    CONTRIBUTORS

    CONTRIBUTORS

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  15. 95
    GENERAL BIBLIOGRAPHY

    GENERAL BIBLIOGRAPHY

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  16. 96
    CAROLUS LUYTHON'S "MISSA SUPER BASIM": CAESAR VIVE AND HERMETIC ASTROLOGY IN EARLY SEVENTEENTH-CENTURY PRAGUE

    CAROLUS LUYTHON'S "MISSA SUPER BASIM": CAESAR VIVE AND HERMETIC ASTROLOGY IN EARLY SEVENTEENTH-CENTURY PRAGUE by JOHNSON, NICHOLAS

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  17. 97
    BECOMING MAGNIFICENT: GIOVANNI GABRIELI FROM HIS "ANNUS HORRIBILIS" TO HIS DEATH IN 1612

    BECOMING MAGNIFICENT: GIOVANNI GABRIELI FROM HIS "ANNUS HORRIBILIS" TO HIS DEATH IN 1612 by EDWARDS, REBECCA

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  18. 98
    NEW LIGHT ON THE SO-CALLED LAUDARIO DI SANT'AGNESE

    NEW LIGHT ON THE SO-CALLED LAUDARIO DI SANT'AGNESE by ZIMEI, FRANCESCO

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  19. 99
    MUSIC FOR MEDICI FESTIVALS: SOME ADDITIONAL WORKS RECOVERED

    MUSIC FOR MEDICI FESTIVALS: SOME ADDITIONAL WORKS RECOVERED by CUMMINGS, ANTHONY M.

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  20. 100
    A SENSE OF PROPORTION: THE PERFORMANCE OF SESQUIALTERA ca. 1515—ca. 1565

    A SENSE OF PROPORTION: THE PERFORMANCE OF SESQUIALTERA ca. 1515—ca. 1565 by HAM, MARTIN

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