Giving “Airy Nothings” Shape: Julie Taymor’s A Midsummer Night’s Dream

by Andrzejewski, Alicia
Published in Shakespeare bulletin

Multilingualism on the Berlin Stage: The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre

by Garde, Ulrike
Published in Contemporary theatre review

"Be Not Afeard, the Isle Is Full of Noises": Expanding Youths' Aspirations Through Shakespeare and Musical Productions in the Marshall Islands

by Garrod, Andrew, Nalani, Andrew
Published in Teaching artist journal

Editorial

by Lazardzig, Jan
Published in Forum modernes Theater

Fallen Critic: The Undocumented Dramas of Bernard Weinraub

by Polster, Joshua E.
Published in The Arthur Miller journal

Mirror fragments

by De Ambrogi, Marco
Published in The Lancet (British edition)

How Science Plays Are Building Interdisciplinary Bridges in the Classroom and Inspiring Undergraduate Research and Creative Activity

by Gilman, Denise, Farrow, Shannon, Hartman, Danielle
Published in Scholarship and practice of undergraduate research

Approaching Opera from a Theatrical Perspective: A Case Study

by Lale, Jennifer
Published in The Opera journal

Performing Protest and Protesting Performance: The International Circuits of Touring Political Theatre

by LEFFLER, ELLIOT
Published in Theatre research international

Performing Unification: History and Nation in German Theater After 1989 by Matt Cornish (review)

by Bradley, Laura
Published in Theatre Journal

Sounding Postmodernity: Narrative Voices in the Radio Adaptation of Alasdair Gray’s Lanark

by Mildorf, Jarmila
Published in Partial answers

Theatre and Human Rights: The Politics of Dramatic Form

by English, Gary M
Published in Human rights quarterly

Performing Arts and Embodied Designs: An Analysis of Sam Ukala’s The Slave Wife

by Olaide, Nasir, Taofiq, Idris, Bello Olakunle
Published in Journal of language teaching and research

Aloha Las Vegas by Edward Sakamoto (review)

by Overman-Tsai, Stefani
Published in Theatre Journal

Our hurtless mirth: What's Funny about The Dutch Courtesan?

by Julian, Erin
Published in Early theatre

"Now I Know Love": Hallie Flanagan and Euripides' "Hippolytus"

by WALKER, SUZANNE
Published in The Classical world

Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

by Bachmann, Michael
Published in German Studies Review

Alfa Theater- the Biography of an ndependent Fringe Theater

by Oz, Avraham
Published in Palestine-Israel journal of politics, economics, and culture

Web review

by Chamberlain, Franc
Published in Theatre, Dance and Performance Training

"Fear of what we don't know": Grappling with diversity in a youth theatre program

by Maloney Leaf, Betsy, Ngo, Bic
Published in Youth theatre journal