Showing 21 - 40 results of 13,158 for search 'Impulse Publications,' Refine Results
  1. 21
    The Pearl Maiden's Psyche: The Middle English Pearl and the Allegorical-Visionary Impulse in Till We Have Faces
    by Miller, T. S
    Published in Mythlore
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  2. 22
    GODWIN, BULWER AND POE: INTELLECTUAL ELITISM AND THE UTOPIAN IMPULSE OF POPULAR FICTION
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  3. 23
    FICTION BORN OF RIVAL IMPULSES: A CONVERSATION WITH WELLS TOWER
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  4. 24
    "The Impulse of a Few Words": Authority, Divided Self, and Language in Mary Gordon's "Final Payments" and "The Company of Women"
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  5. 25
    From Pound to Olson: The Avant-Garde Poet as Pedagogue
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  6. 26
    Contradictory Impulses: María Amparo Ruiz de Burton, Resistance Theory, and the Politics of Chicano/a Studies
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  7. 27
    Louis Rubin, newspapering, and the autobiographical impulse: Document View
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  8. 28
    Impossible Voyages: Seventeenth-Century Space Travel and the Impulse of Ethnology
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  9. 29
    Fag-End of Romanticism: The Nationalist Impulse in English Surrealism
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  10. 30
    Preachin' and singin' just to make it over: gospel impulse as survival strategy in Leon Forrest's Bloodworth Trilogy: Document View
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  11. 31
    AUTOBIOGRAPHICAL IMPULSES IN "THE HAUNTED MAN" (1848)
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  12. 32
    Wigmore and the Law and Literature Movement
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  13. 33
    Other Places and The Caretaker: An Exploration of the Inner Reality in Harold Pinter's Plays
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  14. 34
    “Three-Dimensional” Modernism: The Language of Architecture and British Literary Periodicals
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  15. 35
    Interrogating conceptions of childhood in contemporary African fiction
    by Kearney, Jack
    Published in Scrutiny 2
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  16. 36
    Two Secrets
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  17. 37
    The mythical impulse in British historiographic metafiction
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  18. 38
    'Voices in my own blood': the dialogic impulse in Warren's non-fiction writings about race: Document View
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  19. 39
    The World Wide Web of the Society for the Diffusion of Useful Knowledge: On the Global Circulation of Broughamite Educational Literature, 1826–1848
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  20. 40
    The art of conduct, the conduct of art and the 'mixed science' of Eliot's ethics: 'sympathetic impulse' and 'the scientific point of view' in The Mill on the Floss
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